$98.99 Buy It Now or Best Offer
free,30-Day Returns

Seller Store connietom1123
(7878) 100.0%,

Location: Boiling Springs, Pennsylvania
Ships to: US,
Item: 205008361563

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Fits QSC K12.2 *NEW* K12.2 Cabinets:Fits QSC K12.2 *NEW* K12.2 Cabinets
Country/Region of Manufacture:United States
MPN:Does Not Apply
Connie’s Covers:Connie’s Covers

Welcome to Connie’s Covers! ********** N O T I C E !!! In an effort to save inventory space for the more popular cover designs I offer (and my time in relisting those designs for gear that is either discontinued or sought less often), I am going to be reducing the number of listings I offer over the coming months. I still have patterns for all the gear listed below (and some that aren’t listed), so PLEASE SIMPLY SEND ME A QUESTION WHEN LOOKING FOR COVERS YOU NEED IF YOU DON’T SEE A CURRENT LISTING. N O T I C E !!! ********** You cared enough to buy the best and you know how hard they work for you—why not guard your investment against damage and the weather with padded custom covers? Offering much better protection than a vinyl or nylon bag, towel, or the box they came in (and a better resale value when you hit the bigtime!), these covers are made by hand with care in the USA and feature openings at the handles, giving you a good grip on the units for transport. That is the way manufacturers suggest moving your cabinets and it’s a good idea since a drop from even elbow height (shoulder strap malfunction) may damage your equipment no matter how padded the covering. There is no need to fuss with zippers (if they stick or break, then what?). My covers simply slip onto the speakers from the top. My husband plays over 200 gigs a year and these covers have kept his speaker cabinets looking brand new! A few of my fabulous customers shot videos to demonstrate how the covers fit! (See one at the end of this listing) Another featured my covers on his blog! To save us both time, please check out the “Frequently Asked Questions” section of this listing before submitting an inquiry. Thank you! Some satisfied customers say: “Connie was so easy to work with and my custom covers came out absolutely perfect. Mine were for a speaker model Connie hadn’t made before so we had to make a prototype together. The process was super easy and Connie provided easy to follow instructions. I couldn’t be happier with my covers.” Topper-2k Trey Mitchell ******* “Connie was very easy to work with and had several of our popular speaker covers (EV ZX1 and QSC K10) in stock and ready to go. With our new TC Electronics BG250-115 bass combo and Mackie SRM 1550 Sub, she was so easy to work with on getting new custom templates designed and returned quickly. The covers are very well made and I anticipate them lasting a very long time while keeping our speakers looking brand new.” Wallsfd949 Eric du Toit ******* “Just had another gig last night in which I used your covers for my QSC K12, K10, and KW181 speakers and subwoofers, and once again, they made life so much easier. In the past, I spent big money ($100 / bag) to buy the QSC bags for my speakers, and while they work well, they are annoying to use if you gig often with the zippers, and the bags take up valuable room when not in use at the gig. I tried replacing the QSC bags with pro-style flight cases, and that was a huge mistake, as they weigh a ton, and take up way too much room when not in use. Your bags are reasonably priced, fit perfectly, protect the equipment in transport, slide on and off quickly, and can quickly be stacked flat when not in use, and take up very little room on stage.” Pattimack1 Don W. Lang Flying Pig Sound ******* “I purchased my first covers from you about 6 years ago for my Mackie speakers. Then again for my Carvin speakers. I just sold my Mackie speakers and the new owner said that they looked brand new, thanks to your wonderful covers. Thanks Again.” Hankedw Henry Rotzal Oxford, CT ******* “I am extremely impressed with the padded speaker covers I purchased from you for my Seismic Audio Speakers. Actually I ordered them for my MainShock 15” powered speakers because Seismic Audio told me they would fit. And they did fit, perfectly. I should have ordered them when I bought the speakers, and I’ll tell you why. I only owned my MainShock 15’s for two days before one of them was damaged by someone who loaded my speakers up in my van. I had placed thick carpeting over 2/3 of the cargo area, but someone pushed one of the speakers further up and the grill went over a recessed metal fixture and was badly scratched. Fortunately Seismic Audio is able to sell me a grill replacement for $30. Tomorrow I am going to call Seismic Audio and tell them they need to offer your covers at the time of sale and advise the potential purchasers that your covers could save them a lot of grief. Your covers are of such high quality that they are worth twice as much as you ask for them. Keep up the good work. Feel free to share my story with others. You could even post a reference to it in your product description on E-BAY. Paint a vision in your prospective customer’s mind of the damage that could occur without them. There are no words to describe my appreciation to you for making this product available to us musicians!” Electronicswindbag Kerry B. Wynne Bellbrook, OH ******* “I just opened the box with the (4) covers I bought from you. I rarely buy or use “homemade” products in my business because I don’t want to deal with the hassle of poor designs or just plain cheaply made products. Your covers have proven otherwise. The fit of the covers (which at first I thought would be too loose) is actually perfect. OEM covers are always too thin and too tight. Your covers are just the right thickness, soft on the inside to protect my investment, and are a breeze to put on and take off. Not only are your covers great, but you are a pleasure to do business with. You really have all of the bases covered. That is becoming more and more uncommon on eBay, so thank you. I wanted to let you know how happy I am with them. I will be buying more of your covers.” Clubforcedj Michael Creviston Eau Claire, WI ******* “I have been wanting to write you to tell you about my Mackie SRM350 experience. I have been using your covers for those for about 2 years or so. I like them, but due to how many cables I have and power cords, etc, I decided to pick up a couple of Mackie “official” bags with the shoulder strap and pockets in them. I thought they would make my life easier. Well, after 1 gig, I knew I made a mistake. Those bags are heavy, you can’t use the shoulder strap well, it’s hard to get the speakers in the bag, and you can’t set them down on the rubber bottoms, you have to lay the bag on the ground (like in the snow or mud). I find your covers to be superior. They are light, durable, slip right over the speaker, and they don’t take up so much room. I just thought you’d like to hear that. So, the Mackies are going on eBay tonight and I’m going back to yours.” Mooses5 Patrick Milloy Berea, OH ******* “I have bought two different covers from Connie Shultz and am completely satisfied with both of my orders. The first time I ordered, I wanted covers for my two Behringer P.A. speakers. Connie’s covers fit perfectly, and protect my speakers quite well from road hazards. They look and feel great too. I’ve had other musicians ask me where I got them, and am always proud to tell. Having had one good experience, I ordered a cover for my Roland Cube-60XL Bass amp, which was brand new and had earned its place in my onstage equipment. Connie sent me a prototype, so I could mark it for her and she could get it right. I guess mine is her first. Anyway, she nailed it. I now have a custom cover for my amp which is very practical but also protects this well loved piece of equipment. It fits just fine and seems very durable and also looks great. Highly recommended.” Michael Hough of Mustards Retreat ******* “I ordered a pair of speaker covers from Connie’s Covers for my son’s Harbinger APS-15 speakers. I e-mailed Connie, she had them in stock and they shipped promptly. The ordering process was easy. Connie is a professional with something you see too little of these days…a personal touch. My son received a nice note from her with the covers. He and I are very pleased with the quality, fit, look and price. You will be, too. Plus, it feels great to support a hands-on entrepreneur.” Ray Huffstutter Wynantskill, NY ******* “Ohmigosh! I ordered your covers on a Saturday, and they arrived the following Monday. Talk about great service! They are everything your eBay store said: a really quality product, heavy construction, custom-fit for my specific model of PA speakers. Thank you!!!” Conradjazz Conrad Miska Eagan, MN ******* “Just received them…”NICE FIT”….I have bought covers from speaker manufacturers that didn’t have the simplicity nor the craftsmanship these have. I would encourage anyone who is looking to protect their speakers to buy a set from your company. I’m in the service industry myself as a Disc Jockey/Entertainer and I know the value of a positive review….Simply put…JOB WELL DONE…Thanks again!!” Millennium Entertainment DJ Joe Asci Taunton, MA ******* “Covers for my Mackie speakers arrived super fast. They fit perfectly, and the clever design enables installation within seconds. With no zippers to jam or break, quality construction, and plenty of padding, I’m confident that these covers will hold up to my schedule of more than 100 shows this year, and will offer protection at least as good as covers costing three times as much. Highly recommended at any price, and will purchase again should they ever wear out.” Matt McKay Rehoboth, MA ******* “I recently purchased covers for my all of Behringer PA speakers (4 mains & 2 subs), and I couldn’t be any happier with my purchase. An excellent experience right from the start; superb communication, great people to deal with, and I received the covers a lot quicker than you’d expect to receive a custom-made product. And when I did receive them, I was even happier! The covers look great, fit like a glove, and are well-made, heavy duty covers. I would have expected to pay much more for products of this quality. If you’re a gigging musician and want to protect your investment in your equipment, this is it!” Rick Hanna Auburn, KY ******* “I recently purchased some PR-15 Peavey speaker covers, and I must tell you that they are a great product! They saved my speakers! I was in an accident on 10-24-08 in which a young driver slid into my vehicle and music trailer totaling both and a lot of my equipment. The equipment trailer overturned and all the stuff inside slammed and bounced against each other, only the bottoms that weren’t protected were scratched, the covers got pretty scuffed up and worn, but they did their job perfectly!” Rick Wesley R&S Rhythms Mobile DJ & Karaoke, KY ******* “Just wanted you to know how happy we are with your covers. We are a professional audio company and have made covers ourselves without the same professional results. We could not make the covers for what you charge. Covers have been on 8 gigs so far. Not a showing of wear or tear. Thanks and we will be doing business with you again. We know what it takes to make these.” Cowboyhouse, AZ ******* “I was so surprised at the fit and quality of your speaker covers. 10 times better than expected. I’m so glad I did business with you… It’s so nice to know there are still good people in this mixed up world that one can trust, and you are one.” tlcsignman ******* “Just writing to let you know that your covers are fantastic. I’ve always been frustrated with buying covers for speakers. They’re overpriced and functionally terrible. These covers fit perfectly and protect my speaker mains better than the fancy and way too expensive manufacturers’ speaker bags I bought for my monitors. They are deceptively simple and cleverly constructed. And I agree with you about the color – the light color fabric makes them easy to locate sitting on the curb next to your van on a dark night. Thanks again.” thekatman10 ******* “Fast ship. Great communication. Oh, the covers rock, too!” smittathon ******* “What a great caring seller!!! Custom design and professional all the way! Pricing is great and the end product is SUPERB!!!” DJSTYLES of Showcase Sounds Entertainment Other Available Cover Styles: If the gear you are looking to cover is not listed below and is not a discontinued or custom item, please provide a link to the manufacturer’s specifications so I’m certain to be looking at the correct cabinet. Please also include your personal email address so I can send any follow-up photos/questions. I make covers in black with white or black zig zag or lazy “s” topstitching (at the mercy of my supplier and their manufacturers) for Mackie C200, C300z, DLM 8, DLM 12, DLM 12S, HD1501, HD1521, HD1531, HD1801, PPM406M, PPM408M, PPM408S, PPM808M and PPM808S Powered Mixers, REACH, S215, S218s, S225, S408, S410s Sub, S500, S515, SA1232z, SA and SR1521z, SR1522z, SA and SR1530z, SA1532z, SRM150, SRM350, SRM450, SRM550, SRM650, SRM1550, SRM1850, SRS1500, SWA1501, SWA1801, SWA2801z, TH-12A, TH-15A (Thumps), TH-18s, Thump GO, Thump 12, Thump 12A (2017 Redesign), Thump 12BST, Thump 15, Thump 15A (2017 Redesign), Thump 15BST, Thump 18S, Thump 215 (2017 Redesign); Accordion Custom With or Without Slits For Permanent Straps; AccuGroove “El Whappo” Bass Cab; Acoustic Audio B100C Classic 1×12 Tilt-Back Bass Amp, B200 200W 1×15 Bass Combo; Adamson CS-151; Aguilar SL112; Alesis Gigamix 8FX, Strike Amp 12; Alto Pro Black 10, Black 12, Black 15, Black 15 Sub, Black 18 Sub, SXM112 Stage Monitor, Trouper, TS110A, TS112A, TS115A, TS210, TS212, TS215W, TS218S, TS308, TS310, TS312, TS408, TS415, TS Sub 12, TS Sub 15, TS Sub 18, TX10, TX308; American Audio CPX 8A, ELS GO 8BT; Ampeg 1959 Jet Amp, 1966 Reverberocket 2 Amp, B-100R Diamond Blue Rocket Bass Amp Combo, BA110 Bass Amp, BA112 v.2 Bass Amp, BA115 v.2 Bass Amp, BA115T Bass Amp, BA115HPT Bass Amp, BA210 v2 Bass Amp, PF 115 HE Bass Amp, PF 210 HE Bass Amp, R-212R Reverberocket Amp, SVT 210AV Bass Amp, SVT 810E Bass Amp; Amplified Nation Dirty Wonderland 50W Head; Ampro 1950s Speaker Cab; Armadillo Guitar Speaker Cab; ATA Photobooths T20; Atomic CLR Active Guitar Amp; Avatar G212T 2×12 Traditional Speaker Cab; B-52 Actpro – 212S HD Sub, MX-15; Bag End S-15D; BassBoss SSP118-MKII Powered Sub, SSP218 Powered Sub; Behringer B12X,B110D, B112D, B112W, B115D, B115W, B205D, B207MP3 Monitor, B208D, B210D, B212, B212A, B212D, B212XL, B215A, B215D, B215XL, B315A, B315D, B412DSP, B415DSP, B512DSP, B615D, B812NEO, B815NEO, B1220 Pro, B1500D Pro, B1500HD, B1500XP, B1520DSP, B1520 Pro, B1800D, B1800X Pro, B2520 Pro, C200 Base Cab, F1220A, F1220D, F1320D, PMP 960M Powered Mixer, PMP 980S Powered Mixer, PMP 1680S Powered Mixer, PMP 2000 Mixer, VP1220D, VP1800S, VQ1500D, VQ1800D; Bergantino HT112; BlackHeart Little Giant; Blackstar HT Club 40 Amp, HT-5R Combo Amp, HT Studio 20 Combo Amp; Boom Bass Cabinets BBC Tank 112 Bass Cab; Bose 2 Bass Module, F1 Model 812, F1 Powered Sub, L1 Compact Base, L1 Pro 8, L1 Pro 16, MB4, S1 Pro, S1 Pro +, Sub 1 Bass Module for L1 Pro, Sub 2; BOSS Acoustic Singer Pro Amp, Katana 50 MK2 Guitar Amp, Katana 100 1×12 Guitar Amp, Katana 100 MKII Head; Bugera V22 Infinium Guitar Combo Amp, AC60 60-Watt Acoustic Amp; Carvin 212S, 805, AG200 Amp, AG300 Amp, BR810 Bass Cab, LM 15, MB12 Micro Bass Amp, P15, PA 620 Head, PM12, PM12A, PM15A, PM153, RL 118 Bass Cab, TRx153N, V3 MC 3-Channel Amp, Vintage 16 Amp, XP880; Cerwin-Vega CVA-28, CVA-115, CVA-121, CVP-1152, CVP-2153, CVX21s Sub, int-252, JE-36C (Jr. Earthquake), P1500X, P1800SX, PSX-153, PSX-253; Community S-3294, XLT42E, XLT43; Crate CA6110DG; D.A.S Action 8A, Avant 12A, Avant 215A; Danley Sound Labs BC-415 (The Velvet Sledge), DBH-218 (The Thumper), J3-94, SM80, T-Mini Sub; dB Technologies FMX-10; Dean Markley Ultrasound AG30M Acoustic Amp; Denon Delta 10, Delta 12, Delta 15, Delta 15 Sub, Delta 18 Sub, Envoi GO; Dr. Z Therapy ZA-37 Amp; EAW FR153z, JF60z, JF80z, JF100e, JF260e, MK2326, RL12, RS123, RS153, SB150, SB150P, SB150z, SB250zR, SM109z; EBS NeoLine 410 Bass Cab; Eden D210MBX, D210XST, 410XST, D610XST; Egnater Tourmaster 4100 Amp, Tweaker Head, Tweaker 112x; Epsilon EPS-15 Sub; EV 100S Entertainer, EKX 12P, Eliminator Sub I Series, ELX 112, ELX 112P, ELX 115, ELX 115P, ELX 118, ELX 118P, ELX 115, ELX 115P, ELX 118, ELX 118P, ELX 215 Live X Dual 15, ETX 10P, ETX 15P, ETX 18SP, ETX 35P, EVOLVE 30M Sub, EVOLVE 50 Sub, Force i 15”, Plasma 1, PXM-12MP Monitor, QRx 212/75, QRx 218s, SB122, Sb2A, SbA760 Powered Sub, SX100+, SxA100+, SxA180 Sub, SxA250, SxA300, SxA360, SX250, SX300, T251+, TX 1122, TX 1152, TX 1181, ZLX-12BT, ZLX-12P, ZLX-15BT, ZLX-15P, ZxA1, ZxA1 Sub, Zx1-90, Zx3, Zx4, Zx5-60, Zx5-90; FBT ProMaxX 15SA Sub; Fender 1957-1960 Tweed Deluxe 5E3, ’59 Bassman LTD, 1963 Concert Brownface, ’65 Deluxe Reverb Reissue, ’65 Twin Custom15, ’66 Super Reverb Amp,’73 Super Reverb, Acoustasonic SFXII, Bandmaster Reverb 1971, Bassbreaker 15 Combo Amp, Bassman Combo Amp, Bassman 115 NEO, Bassman 410 NEO, Blues Junior, Blues Junior III, Champion 20, Champion 50XL, Champion 100, Deluxe Reverb 1970, EVH 5150 III Amp, Fighter 10, Fighter 12, Frontman 15G, Frontman 15R, Frontman 212R, Hot Rod Deluxe III, Mustang III v.2, Mustang GT-200, Mustang GTX 100, PS-512 Sub, Passport 500 Pro, Princeton Reverb Reissue, Pro Junior IV Amp, Rumble 40 Bass Amp, Rumble 100 Combo Bass Amp, Rumble 100 v.3, Rumble 115, Rumble 150 Combo Bass Amp, Rumble 200 v.3, Rumble 210, Rumble 410, Rumble 500 v.3, Super Champ XD Amp, Twin Reverb 1965, Vibrolux Reverb; Fishman Loudbox 100, Artist LBT600, Artist LBX600, Loudbox Mini, SA-300 Sub; Gallien-Krueger CX210 Bass Cab, MB110 Amp, MB115 Combo Amp, MB212-II Bass Amp, NEO IV 115 1×15 500W Bass Cab, NEO IV 210 2×10 500W Bass Cab; Gemini GVX-12P, GVX-SUB12P, GVX-SUB18P, RS-315, RS-410; Genz-Benz GB 410T-UB-4, Shenandoah 100, TAC EX-1202; Gibson GA-20 Amp; Harbinger APS12, APS15, HP115, HP118S, HPX 215-BBE, HX152, MLS900 Base Unit, S12 Sub, V2112, V2115, V2212, V2218S Sub, V2312, V2315, V2318S Sub, V3412, V4115; Harp Gear 2 Amp; Hartke 410XL Bass Cab, HD112 Bass Cab, HD115 Bass Cab, HD410 Bass Cab, HD500 Bass Cab, HL210 Bass Cab, Kickback KB12 Bass Combo Amp, Kickback KB15 Bass Combo Amp; HeadRush FRFR-108 1×8 Guitar Cab, FRFR-108 MKII 1×8 Guitar Cab, FRFR-112 1×12 Guitar Cab; I DJ Now Grundorf LED Facade; JBL EON 10G2, EON 15G2 , EON 210P, EON 305, EON 315, EON 510, EON 515, EON 515XT, EON 518S, EON 610, EON 612, EON 615, EON 618S Sub, EON 1500 and EONSUB G2, EON ONE, EON ONE MK2, EON ONE PRO, IRX-108BT, JRX-112M, JRX-115, JRX-118S, JRX-118SP, JRX-218S, JRX-225, LSR4328P, MP415, MP418S, MP418SP, MP418SP-1, MRX-512M, MRX-515, MRX-518S, MRX-525, MRX-528S, PRX ONE, PRX-412M, PRX-512M, PRX-515, PRX-535, PRX-612M, PRX-615M, PRX-618S, PRX-618S-XLF, PRX-712, PRX-715, PRX-715-XLF, PRX-718-XLF, PRX-725, PRX-735, PRX-812W, PRX-835, PRX-835W, PRX-918-XLF, SF15, SR 4718X, SR 4722A, SR 4725X, SRX-715, SRX-715F, SRX-718S, SRX-722, SRX-728S, SRX-812, SRX-812P, SRX-815, SRX-815P, SRX-818S, SRX-828SP, SRX-835P, TR 225, VRX-918SP, VRX 932 LA-1, VRX 932 LAP; JTR Captivator 212p, Captivator 218 Pro, Orbit Shifter Pro; Koch 6-Watt Guitar Tube Amp; Kustom 50 Watt, KPC 10M, KPC12MC, KPC 210MP Monitor, KPM 10 Monitor, KPM210 Monitor, KPX 110PM, PA 50 Personal PA, PA 112S Powered Sub; LD Systems Maui 28G2 Base Unit, Maui 28G3 Base Unit, Maui 44G2 Base Unit, Stinger LDS-MON 121AG2; Leslie 145, 147, 2101 mk2 Keyboard Amp, LS-2115 Keyboard Amp; Line 6 Low Down LD300 Bass Amp; M-Audio GSR-10; Markbass CMD 102P, CMD151 Jeff Berlin Signature Bass Combo Amp, MB58R 102P Bass Cab, MB58R CMD 102 PURE COMBO, Micromark 801, Mini CMD 121P, Mini CMD 151P, New York 151 Bass Cabinet, New York 151 RJ, Traveler 102P; Marshall 1960A (Slant Top), 1960B, DSL1HR 1-Watt Tube Head, DSL 20HR 20-Watt Tube Head, DSL 40C 1×12 Tube Combo Amp, DSL 40CR 1×12 Tube Combo Amp, DSL 100 Head, DSL 100H Head, Haze MHZ40C Amp, MG 15 CD Amp, MG101FX Amp, MX212A Slant Front Cab, MX212AR Slant Front Cab, Origin OR150H 50-Watt Tube Head, ORI20H Head, ORI212 2×12 Extension Cab, ORI212U Cab, SC-112 Studio Classic 70-Watt 1×12” Extension Cab; Massey Audio M28; MCM Custom Audio Model 555-9700 Mixer Amp, Custom Heavy Duty 18” Sub Model 555-10390; Meinl Percussion Jumbo Bass Cajon; Mesa Boogie DC-5 Combo Amp, Mark iiB Combo Amp; Meyer Sound MSL4, UMS-1P Sub; Mipro MA-708; Mojotone 2×10 Lite Guitar Amp Extension Cab, British-Style Small Box Guitar Amp Head; Monoprice Stage Right 5-Watt Tube Amp, Stage Right 15-Watt 1×12 Combo Guitar Amp; Motion Sound KT 80 Keyboard Amp, Pro-145; Nady PAM-10F, PS115; Numark Lightwave; OAP T-102; Open Air 2-piece Photo Booth; Orange CR 20LDX Amp, OBC 212 Bass Cab, SP212 Bass Cab; Panama Conqueror 5 Combo Amp; Peavey 115 International, 212, 358-S, 400 BH Amp Head, 410 TVX Bass Cab, Bandit 112 Amp, Classic 30/112 Combo Amp (2005), Classic 50/212 Combo Amp, Dark Matter DM112, Dark Matter DM115, Dark Matter DM115 Sub, Dark Matter DM118 Sub, Delta Blues 115 Amp, EU 115, Impulse 12D, Impulse 100, Impulse 200, Impulse 500, Impulse 1012, Impulse 1015, KB-100 Keyboard Amp, LN-1263 Sub, PR 10, PR 12, PR 12D and PR 15 Neo, PR Sub, PR 12D, PV12M, PV15M, PV115, PV118 Sub, PV215, PV5300 Mixer, PVDJ 112i, PVi 4B Mixer, PVi6500 Mixer, PVXp 10, PVx 12, PVx 15, PVXp 15, PVXp15 DSP, PVXp Sub, SP2 1000W 2-Way (2021), SP2BX, SP5, SP6, SP12M, TLM2X, TLS 5X, Transtube Supreme Guitar Amp, Triple XXX 40/EFX Guitar Amp, VYPYR 60 and 75 Watt Guitar Amps, XR 684F Mixer, XR 8300 and XR 8600 Powered Mixers; Phil Jones Bass BG-300 Super Flight Case; Phonic Nexus 935SB Sub; Podium Pro PP1502A, 18” Sub; Positive Grid Spark Mini Amp; Power Works RS 15 Sub A; Powerwerks 50, PW100t, PW112-S; PreSonus Air 10, Air 12, SL328AI; Pyle Pro PPHP 1259; QSC CP8, CP12, HPR 112i, HPR 151i, HPR 151W, HPR 153f, HPR 153i, HPR 181i, HPR 181W, K8, K8.2, K10, K10.2, K12, K12.2, KSub, KS112 Sub, KS118 Sub, KS212C Sub, KW122, KW152, KW153, KW181; RCF 4PRO 3031-A, 4PRO 8003-AS, ART 310A, ART 310A MKIII, ART 312A, ART 315A, ART 322A, ART 325A, ART 415-A MKII, ART 522A, ART 525A, ART 710A, ART 712-A MK5, ART 715A, ART 722A, ART 725A, ART 705-AS, ART 745A, ART 745A MKII, ART 745A MK4, ART 905-AS, ART 912-A, ART 915-A, ART 932-A, ART 935-A, ART 945-A, C3110, EVOX 8, EVOX J8, EVOX JMIX8, HD10-A MK4, HD10-A MK5, HD12-A, HD32-A, NX 10-A II, NX 32-A II, NXL-24A, NXL-24A MK2, SUB 702-AS II, SUB 705-AS II, SUB 708-AS II, SUB 718-AS, SUB 905-AS II, SUB 8003-AS II, SUB 8004-AS, TT22A II, TTS12A; Red Plate Blues Machine Amp; REVV Generator 7-40 Amp Head; Rick Davis Mod Stage 5 Amp; Rockville RBG15S, RPG8, RPG15, RPM109 Powered Mixer; Roland AC-33 Guitar Amp, BA330, Blues Cube Hot Amp, Blues Cube Stage 60 Amp, CB-60XL Bass Amp, CM-30, CUBE-30 Guitar Amp, CUBE-80GX Guitar Amp, JC-120 Jazz Chorus Guitar Amp, KC-220 Keyboard Amp, KC-350 Keyboard Amp, KC-400 Keyboard Amp, KC-550 Keyboard Amp, KCW-1, PM-30 Drum Monitor, RP-301 Digital Piano with Stand; Samson Expedition XP112A, Resound RS10HD, Resound RS12, XP106; Seismic Audio Arctic 15-PW, Aftershock 18” Sub, Baby Tremor 15-PW Sub, Enforcer II Sub, FL-10MP-PW, FL-15MP-PW, MainShock 15, MainShock 12, Mini-Tremor 12” Sub, NPS-15, PWS-10, PWS-12, PWS-15, SA 15T, SA 155T, SAP-18S Sub, Shockwave 12 Sub, Tremor 18 Sub; Simmons DA200S Drum Amp; Sound Town CARME-110S; Stage 5 Delta V6 Amp; Stage Right Celestion 5-Watt Tube Amp; Supro 1742 Titan Extension Cabinet, 1970RK Keeley Guitar Amp, Delta King 12 Guitar Amp, Supreme 1600 Amp; T20 Photo Booth; Tapco 6912, 6915, 6918s, TH-15A (Thumps), TH-18s; TC Electronic BC208 Bass Cab, BG250-115 Bass Combo Amp, K115 Bass Cab, RS212 Bass Cab; Tech 21 Power Engine 60 1×12, Trademark 60 1×12; Technical Pro Power-15; THD Pro 2×12; Toadmatic Rolling Console; Topp Pro KS21A; Traynor Block 10 Keyboard Amp, K2 Keyboard Amp, YBA300 Bass Amp, YGM-3 Amp; Turbosound iNSPIRE iP12B (Base Unit), iNSPIRE iP300, iNSPIRE iP1000 (Base Unit), iNSPIRE iP2000 (Base Unit), iNSPIRE iP2000 V2 (Base Unit), iNSPIRE iP3000 (Base Unit), iQ8, iQ10, iQ12, iQ15, iQ15B Sub (Performance Position), iQ15B Sub (Transport Position), iQ18B Sub (Performance Position), iQ18B Sub (Transport Position), iX12, Milan M10, Milan M12, Milan M15, Milan M15B Sub, Milan M18B Sub (Transport Position), NuQ 152-AN, NuQ 118B-AN Sub (Transport Position), TBV-118L-AN Sub (Performance Position), TFM 122M-AN Monitor, TFX 122M-AN Monitor, TFX 152M-AN Monitor, TQ-445DP, TXD-151; Ultrasound AG-50, DS3; Vandersteen 2Ce; VHT The Standard 12 Amp; Vox AC10C1 Combo Amp, Pathfinder 10 Amp, VT-30 Amp, VT-40+ Amp; Wharfedale Diamond 8.2 Pro Active, Pro Titan Sub A12; Yamaha AS312, BR10, BR12, BR15, C112V, C115V, CBR10, CBR12, CBR15, CM12V, CM15V, DBR10, DBR12, DBR15, DHR12M, DSR112, DSR115, DSR118W, DXR8, DXR8mkII, DXR10, DXR10mkII, DXR12, DXR12mkII, DXR15, DXR15mkII, DXS12, DXS15, DXS18 Sub, MSR250, MSR400, MSR800W, S15e, S112V, S115IV, S115V, StagePas 300/MSR100/StagePas 150M, StagePas 500/MSR250/StagePas 250M, StagePas 400BT, StagePas 400i, StagePas 600BT, StagePas 600i, SV15, SW118IV; and Yorkville Elite E10, Elite E10p, Elite E12, Elite EF15P, Elite EF215P, Elite ES18P, Elite LS608, EXM ProSUB, LS720P, LS801P, LS801PB, LS1208 (Painted), NX25P, NX35, NX55P, NX200S, NX550P, NX600, NX720S, NX750P, PSA1, PSA1S Sub, PS10p, PS12p, PS12S Sub, PS15p, PS15S Sub, TX-4, U-15, U-15P, U215 (Painted), Y115, YS-115 and YX-15P speaker cabinets, among others. If your gear is listed above, I have finalized the design for it. I may not keep it stocked, but can easily make it up for you, usually within a week of your order. I will happily sell single covers or whatever multiple you need, combining shipping costs. Frequently Asked Questions Q: Do you make covers for speaker cabinets, amplifiers, etc. other than those shown in the description? A: I would love to assist you in covering your gear. Over the past few months, demand for my covers has so far exceeded my expectations that I reluctantly find I must prioritize requests for new designs in order to permit me more time meet my other responsibilities. I am essentially a one-person operation with limited part-time help. I can’t type and sew at the same time, so in order to keep stocked on the best-selling cover designs that I already offer, I will only add new designs for cabinets that are currently offered for sale (not custom or discontinued). Repeat/past customers are given priority as are requests to cover a pair of cabinets over those for single covers. If you provide me a link to the manufacturer’s specifications for the exact item you need covered, it will also help to speed my response since many companies offer different cabinets with similarly lettered numbers or extensions. I’m not a factory, so I appreciate your patience as what I do is very time-intensive. I will respond to your request as soon as I can. Q: What type of material is used? A: I use moving blankets/furniture pads for all of the covers, cut to fit each different design. Most of the blankets are imported, woven, and listed as 75 pounds per dozen. Q: Do the covers enclose the entire cabinet? A: No, they do not. All of my designs are “dropover” covers, leaving the bottom of the cabinet exposed (where the manufacturer has usually installed “feet” to keep them from touching the floor). I think you will find that any covers you would purchase that fully enclose the cabinet will wear out at those spots more quickly. I have resisted adding flaps, straps, Velcro, etc., as this would increase the cost to you and make for an inventory nightmare for me. Q: Could you add a pocket to store power cords, etc.? A: I am certain that I could, but I have resisted doing so for a number of reasons, the most important of which is that the entire pocket would need to have its edges bound. Each pad I use has a finite amount of binding available. The pocket would add greatly to the time expended on the covers and increase the cost accordingly—another biggie for struggling musicians! I have it in mind to at some point begin to offer “gig bags” with a strap that would allow for ease in carrying cords and similar attachments, but I’ve just been too busy to evaluate the demand for such an item. You are certainly welcome to make modifications to the covers once you have purchased them, of course. Q: Are the covers waterproof? A: I would be highly suspicious of any covers that are labeled waterproof and do not make those claims about the ones I offer. Anywhere there are seams, there is the potential for water to seep in (if you’ve ever experienced a leaky roof, you know how difficult it is to discover how/where the leak is occurring). Even if handle openings are covered by “flaps”, there are still small holes caused by stitching the material. I wouldn’t purposely tempt Mother Nature by letting your gear sit outside, but I think my covers offer adequate protection if you’re just moving it into or out of a venue. Added protection can be accomplished by using a Scotchgard or Camp Dry product. I’ve also been told the Trek 7 products are really good. Q: How are prices determined for the different covers? A: That is an EXCELLENT question! The first criterion is the size of the cabinet. The larger the cabinet, the more material is used, thus the higher price. Then, there is the nature of the pads, themselves. Their size is an estimate only and some are pieced together in such a way by the manufacturer that in order to get a pair of matching covers (the stitching going the same way on the body parts), it is necessary to cut several pads to get the needed components. Some topstitching designs are only sporadically available (until you open them up, you can’t tell which you’ll get). Sometimes there is a slightly different weight of fabric within the pad that makes sewing through them more difficult (and also makes for many more broken needles), but also makes for a terrifically protective cover! Binding is another matter. In order to keep costs down, I recycle the binding the manufacturer sews around the outside edge of the pad. If the pad was evenly cut at the factory and the binding is straight, I may save time by using some of their hemmed edges without having to remove the binding, make the edge straight, cut out the pattern and reattach the binding. Sometimes, however, that is not the case. Depending on the stitching technique used on the binding, removal and reattachment of the binding can be very time-consuming. The biggest price difference comes if your cabinets are carpeted. In that instance, I must bind all the cut edges before assembling the covers so that the padding doesn’t flake onto your carpeting each time you remove and put them on your gear. I usually don’t keep the designs for the carpeted cabinets in stock, so you may have to wait a bit longer for me to make those up. Thanks for your interest! Normal 0 false false false EN-US X-NONE X-NONE

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